www.ExactingEditor.com/Newsletter.html

This web document is the February 2008 EXACTING RESULTS, an electronic newsletter assembled by D.C.-area editor Frank Gregorsky. Before the newsletter, you see the User’s Guide, adapted from an e-mail welcoming the charter subscribers. Five issues per year – February, April, July, September and November -- with an occasional bulletin when something is compelling. To receive it at no cost, go to http://groups.yahoo.com/group/ExactingResults

Greetings from ExactingEditor.com:

(1) EXACTING RESULTS is a "survey" of current web literature and platforms. You'll get a set of URLs, each one preceded by a summary.

(2) The audience is non-fiction researchers, writers and editors, and the purpose of those URLs is to help you and me enhance literary effectiveness, exposure, and income.

(3) Since a majority of the people on this listserv are self-employed, expect some items that deal with marketing and personal management -- for example, business travel -- in addition to the classic "writer" topics.

(4) Authors profiled on ExactingEditor.com who also joined the newsletter-distribution list include Ira Chaleff, Richard Etulain, Loretta Hall, Lauren Kessler, Elizabeth Lyon, Julianne Lutz Newton (now Warren), Myrna Oakley, Elizabeth Royte, Andrea Schara, Ferenc Szasz, and Chief Justice Frank Williams.

(5) Given the diverse membership, expect no political statements -- though occasionally I will use an investment, institutional or marketing saga to draw conclusions about an individual’s savvy or the strength of a particular message.

(6) All charter members are encouraged to forward EXACTING RESULTS to friends, associates and students. You might also let them know that (a) there is no charge for joining the distribution list and (b) ExactingEditor.com does not sell, swap or give away e-mail addresses.

One other major point: This is
NOT A DISCUSSION GROUP. Though technically a listserv, it functions as "for distribution only” -- because I pledged in late ‘07 that signing up would not mean more than 10 electronic "deliveries" per year. At the same time, new friendships and collaborations could well emerge. Therefore, if I've circulated something you would like to elaborate on, or you have some resource this Group needs to know about, please write to me and I will post your observation or tip in the next issue. Using that same method, you could request advice from the whole list, and anyone who wants to respond to you will do so directly (with me as facilitator) rather than go through YahooGroups.com. This way, total e-traffic is limited.

            With exacting appreciation,
            Frank Gregorsky (FrankGregorsky@aol.com and AudioHistory@aol.com)
            Oakton, Virginia, USA


Enhancing literary exposure, effectiveness and income
EXACTING RESULTS, February 2008 (Issue #1)


(1) Don Worster is Added to the Author Profiles Gallery

As you know, innovative nonfiction authors are showcased on ExactingEditor.com. Main topical categories are business, history and ecology. In the latter realm, Professor Donald Worster wrote the definitive biography of John Wesley Powell (A River Running West
, 2001) and is at work on one about John Muir. In this first author profile of 2008, we discuss biographical methods and dilemmas; map just how wide the environmental field has become; and celebrate the distinctions of the Great Plains.

EXTRACT: << I had been taught that "biography is not history." I still believe there's a distinction to be made between the two. History deals with broader social forces and tries to explain those social forces -- those broader changes over time... So the distinction is an important one. But I have come around to think of the differences more as differences of scale; and I think we have to learn how to write at all "scales" about the past -- from the global scale, right down to the scale of the individual. And in some ways, the hardest of all scales to learn -- to master -- is the biographical, the individual. Not so much in the Powell case, but in the Muir case, you are overwhelmed with volumes and volumes of letters that were saved. I have 55 reels of microfilm of John Muir's writings, letters and so on. >>

       www.ExactingEditor.com/DonaldWorster.html

Worster is former president of the American Society for Environmental History and a member of the Western History Association. He turned 66 in November and teaches a full load at the University of Kansas in Lawrence. The interview took place down the hall from his office.

(2) How to Wreck a Career in One Easy Lesson

Terry Teachout is a music and culture commentator for Commentary
and the Wall Street Journal. A political conservative, he doesn't have to compete for space in Rolling Stone or Vibe, and he's aware that popular music existed before rock and roll. On February 16th, Terry gave us a marvelous piece about how high expectations -- either yours or the audience's -- can strangle creativity and output. Give this link to anyone you know who is paralyzed by thinking that their next -- or perhaps it's their first -- swing at bat just has to be a grand slam:

       http://online.wsj.com/article/SB120311487595072493.html

(3) Does a New Author Really Need a Website?

A first-time author (serious book, impressive packaging) asked me whether she needed a website. I responded: "That all depends on whether you seek an independent existence as an author who also publishes commentaries; or you exist in a professional sense mainly [as the leader of your particular nonprofit] who produced a book on the side. If it's the latter, the only web pages you need are those of the on-line booksellers…" This person is a professor and foundation leader; in other words, "author" is not her primary professional identifier, and most of her income does not come from book sales.

A slightly different self-marketing question might be: "Does my book require a site centered on just that title?" Well, you can own a piece of the web without having a site. You can obtain a book-centered web display without pouring time and money into a personal marketing site.

Alternative #1: Elizabeth Royte is author of Garbage Land: On the Secret Trail of Trash in America
and the forthcoming Bottlemania. She is married to Peter Kreutzer, marketing director for a firm that builds the equivalent of websites around specific books. For the brass tacks, start here -- or take a look at what Peter did for Garbage Land...

       www.booknoise.net/garbageland/index.html

Such a web display is good for self-management as well as sales. But first -- why do I call it a "display"? Because it's more than a "page," but less than a "site." Strictly speaking, a website starts with a unique domain name. The Garbage Land
display, which has multiple documents within it, is one of many subsections of a single corporate site (Booknoise.net). You therefore don't pay server costs as a separate outlay; the relationship is with one vendor; and you, as book author, will not need to play "web publisher."

A Booknoise.net display helps introduce a new author to reporters and researchers; gives them a taste of the book in an excerpt; and will also excerpt from reviews. To encourage media interviews -- or boost the productivity of the ones you get -- it's simple to say: "You can learn more about my book by going to Booknoise.net and typing in the title…" If your book's content has tangible applications or some activist angle, the web display can offer extras that empower readers. For example, Royte told me she added a "what to do" page "because people were always asking me what they could do to make a difference" in reducing their household waste.

(4) "Wiki" is Easier, and Looser, than a Standard Personal Site

Now for the second alternative: If you want a web display that will cost you start-up time but no money, create an entry at www.wikepedia.org, the best-known web encyclopedia. As long as you are not blatant with the marketing, that entry or "article" can center on a single book. There are no design costs (because you accept the Wiki graphics and fill in the content) and no server costs. You don't even have to register a domain name! Does all this too simple? Well, I did mention the start-up time outlay. And there is the bizarre fact that you can never tell who structured a given Wiki article. Someone could produce one on you.
 

Seeing a great display featuring an old friend and recent client, I wrote to congratulate him on it. His response reminded me of how surreal webbified publishing can be: "I only discovered the entry a few weeks ago and my first guess was that you'd written it," Jerry e-mailed back. "So, the bottom line is that I'm a victim, not a perpetrator." At the same time, Jerry's Wikipedia "entry" is so thorough that he has not felt compelled to do any revisions!

Of all the authors on the EXACTING RESULTS listserv, two have a Wikipedia entry:

http://en.wikipedia.org/wiki/Lauren_Kessler                  http://en.wikipedia.org/wiki/Frank_J._Williams

In each case, "this article is a stub. You can help Wikipedia by expanding it." It's pretty plain to me that someone other than Justice Williams and Ms. Kessler created these pages. Elsewhere we learn: "Visitors do not need specialised qualifications to contribute, since their primary role is to write articles that cover existing knowledge; this means that people of all ages and cultural and social backgrounds can write Wikipedia articles. With rare exceptions, articles can be edited by anyone with access to the Internet, simply by clicking the edit this page link. Anyone is welcome to add information, cross-references or citations, as long as they do so within Wikipedia's editing policies and to an appropriate standard."

Bottom line on www.wikipedia.org: If you make your book or its primary theme into an "article" there, you'll have a respectable web home. But the doors have no locks: You built your own web display, without permission; but someone else can add to it, also without permission. The hurdle for going with Wiki therefore is: Do you have any enemies? Or does the book you are showcasing face aggressive rivals, or make certain elements mad?
If the answer is yes, make sure only you or your vendor can change text on your web display. That requires a set-up like Booknoise.net offers or a full-blown independent site with a unique domain name.

(5) Down to a Run of One: Your Own Hardcover Book for $29?

Business Week
loves splashy cover stories, and they're often embarrassing to read a year or two later. But their stable of columnists is very good. Stockpicker Gene Marcial has been there since 1981, and Stephen H. Wildstrom -- who writes "Tech & You" and is another long-termer -- is a down-home geek. Last month Wildstrom explained how he created a book with lots of photos. Twenty-eight pages took about that many hours. Page by page, he did what the software said to do, and hit "submit." A few days later, in the mail, arrived "a real book, complete with a glossy jacket and even a standard book number code. It's well printed on heavy stock, the photos are faithful to the original, and it cost me just $29.95 for a single copy" -- hardbound, no less!

      www.businessweek.com/print/magazine/content/08_03/b4067000256155.htm

"Technology has democratized publishing," Wildstrom concludes. Do you see anything wrong with this picture? The company whose ultra-cheap process Wildstrom took advantage of -- Blurb and its BookSmart software -- is using new technology to solve an old problem: The per-unit costs of vanity-publishing a small quantity. For a brilliant new novelist with no contacts, this offers a way out of the black forest -- because novels still need the physical form of a book. For us hard-core nonfiction-types, though, especially with literary roots in the public sector, it makes more sense to have a website with regular updates aimed at growing your network electronically. For quite a few agendas or messages, The Web really does supplant A Book. On the other hand, though the web lets you become many things, you can’t be an Author without a book.

And what kind of "book" did Steve Wildstrom get for his 28 hours of prep and 30 dollars of payment? It was a collection of vacation photos with diary-like commentary.

(6) "Substituting Memory for Research and Reporting"

ExactingEditor.com Q&A subject Lauren Kessler
is founder and editor of the online quarterly Etude. There and elsewhere, she campaigns against letting the tactics and behaviors of what she calls "the F-word" -- i.e., fiction -- corrode nonfiction essentials: "It's bad enough that it's called nonfiction, named for what it isn't rather than what it is, as if we decided to call poetry nonprose, or day nonnight. It's bad enough that some practitioners of this genre that has no proper name of its own have undermined its credibility, chipping away at its special power of authenticity by fabrication and invention, or dulling its fine edge by substituting memory for research and reporting. Now there's something else to be concerned about: It may be that fans of this beleaguered genre don't actually want nonfiction at all. They want fantasy."

How so? Kessler contrasts the 2001 book Tales of a Female Nomad with the ostensibly nonfiction chart-topper Eat, Pray, Love. The latter's author gets a big advance to go to Europe, where "she flirts and eats, flirts and eats. And eats." After Oprah Winfrey lauded this book, the hordes had their marching orders. The readers of Eat, Pray, Love, concludes Kessler, "wanted a 'true' story -- after all, they bought nonfiction not a novel -- but really they wanted a dream. They wanted to read about the luminous young woman who found everything she was looking for…in six months flat. They were uninterested in reading about the earnest middle-aged woman who [wrote Tales of a Female Nomad] while she camped out in youth hostels and lived out of her backpack while venturing deeply into other people's lives…"

We should back Lauren's campaign to keep fantasy out of nonfiction, and -- unless it's labeled "memoir" – shun authors who "substitute memory for research and reporting." We might even need a replacement for that word "nonfiction.” For now, Oprah reigns, and books such as Eat, Pray, Love
"raise the bar for readers' expectations. They will not be satisfied with stories of mere mortals making their hesitant way through the world. They want writers who look like movie stars living out the kind of adventures that virtually no one but that writer has or ever will have."

       http://etude.uoregon.edu/winter2008/craft/

(7) On Strategy: Avoid the Majority, Empower the Resisters

"Strategy" is a comfortable word only for those who come out of the military, business or politics. But they rarely define it for everyone else. Here's my definition: Strategy is a Big How. It isn't a What (substance) or a Why (vision, purpose). Neither is it a "how to" action plan (which would consist of a set of medium and small Hows). In one long sentence or a few short ones, a Big How spells out the essential manner in which something or someone will break through, settle the land, or nail the niche. Strategy? An army or politician needs to do that, and so might a book.

It's not enough to write in-depth about something 5% of the population is interested in, or to be able to describe that 5% for a publisher. Five percent of 220 million adults is a fine theoretical audience, but you'll do better -- with almost the same product! -- positioning your 5% (or it could be 20%) against the much larger mass that has the opposite view. The rest of this newsletter offers four examples, starting with one I have watched play out at close-hand.

The Books-A-Million website shows some 3,600 books with "leadership" in the title or subtitle. Before 1995, though, no one offered a book on FOLLOWERSHIP. As of 1988, when Robert Kelley published "In Praise of Followers" in the Harvard Business Review
, no one of note even used the term, except in-passing or as a pejorative. Perhaps no author wanted to build on the word, which would connote disciples, fans, or fanatics.

The market was transformed in 1995 by Ira Chaleff
's book The Courageous Follower. Its subtitle was "standing up to, and for, our leaders." I contend this to have been strategy and positioning at the highest and best level, and one of the few new business ideas to come out of the techno-distracted 1990s:

<< In this model, followers do not primarily serve leaders. Rather, both leaders and followers serve a common purpose, each from their own roles. This gives both of them the responsibility for making good decisions, taking productive action and engaging the other in dialogue if they have concerns about the other's actions. How does the HR professional fit into the picture? Your role becomes creating the conditions in which this dialogue can successfully occur. In many cases, this means that you will become a coach to the leader and the follower on how to productively engage the other. If anything, it takes more skill to coach the follower because of the understandable perception the follower has of the power differential between follower and leader. >>

That was Chaleff in 2006, from http://www.cunahrcouncil.org/news/822.html

As for career positioning, Ira Chaleff told me he never chose "followership" for its marketing power. Yet that does not detract from its strategic soundness: The surplus of books on "leadership" indicated, by definition, a deficit on "followership." But not a market for that word alone. Chaleff made COURAGEOUS the modifier, an even more impressive "flip" of the standard view. Followers could now be coached to function heroically, rather than be drones or groupies.

This month, Ira's new book -- co-edited with Ronald Riggio and Jean Lipman-Blumen – hit the stands: The Art of Followership: How Great Followers Create Great Leaders and Organizations
(ISBN 978-0-7879-9665-9, published by Jossey-Bass). Haven't read it yet, but the original one (1995, updated edition 2003) is a masterpiece: The Courageous Follower is a business handbook that succeeds as literature while pioneering a genre; and a practical gift for any son or daughter trying to remain centered in a Fortune 500 or Capitol Hill environment.

If leader-follower analysis does nothing for you, stay with our point about strategy: When building your nonfiction manuscript, seek clarity on the Big How. Specifically, does your subject matter allow exploitation of the conventional wisdom by “flipping” it? A writer can enlist a restless but unrepresented minority by taking up arms against one of the national default settings.

(8) Against Happiness, for Optimal Messes, and Beyond Optimism

Final segment, but same point: By being somewhat dismissive about the notions and terminology of the 80%, you can win friends and find buyers among the 20%. Author Eric G. Wilson
, a professor at Wake Forest, is pitching to those of us who seek strength from the bad times. Someone got Wilson to be blunt about it, too: His book's title is Against Happiness, and here's the WSJ write-up from earlier this month -- http://online.wsj.com/article/SB120243301014752431.html

In a more lighthearted vein, Eric Abrahamson
and David H. Freedman offer A Perfect Mess: The Hidden Benefits of Disorder. I adore their title – the authors grab another common pejorative (“mess”), tack on a contrary modifier (“perfect”), and set out after neat freaks, OCs, and breezy claims by the personal-organizer lobby. The subtitle does not let up: “How crammed closets, cluttered offices and on-the-fly planning make the world a better place.” Not that messiness is the ideal, but “we argue that there is an optimal level of mess for every aspect of every system" -- http://www.aperfectmess.com/excerpts.html

Yet another author, back in 2001, set out to “empower the resisters.” Wellesley professor Julie K. Norem
published The Positive Power of Negative Thinking, to scattered acclaim. I missed it in '01, but in late '03 Norem's theme attracted me instantly. Why in 2003? Because a fellow obsessive at Fortune reviewed it -- some two-and-a-half years after the book's release! Highly unusual for a high-gloss biz mag. Norem's book positioned the happy-go-lucky forward-looking no-sweat achiever against the much smaller group of us who sit at the table thinking: Exactly what has to happen during the next week or month for this thing to stay on the damn rails? The Fortune write-up can't be accessed any more, but here's a better one, from when the book came out:

       http://archives.cnn.com/2001/CAREER/readingup/07/03/positive/index.html

I suspect Dr. Norem's "defensive pessimism" was the wrong phrase for her target audience (too many syllables, for one thing). She also named her site DefensivePessimism.com -- a problematic rallying cry. But at least one in 10 adults functions that way. They bail out the gung-ho groupthinkers in their midst by being skeptical and methodical. They are only "happy" after the work has been done to head off most nasty surprises. They are not cynics, but they contend that even the brightest ideas will need a whole set of midcourse corrections.

Julie K. Norem wrote for this type. Her 2001 book sought to make "worry," when linked with planning and work, into a social good. She celebrated the 20% in ways that put the 80% in their place (without much dissing of the latter). But I bet you never heard of The Positive Power of Negative Thinking
. That means the market is still there, for some other author. Perhaps the breakout book will need to offer the situational realism of The Courageous Follower.  One way or the other, action-oriented worriers await a national champion. They need a book that tells them how to head off trouble more reliably, and without wrecking their career.

-- Frank Gregorsky, ExactingEditor.com, February 2008

DISCLAIMERS and REMINDERS
        EXACTING RESULTS surveys recent web literature and platforms. The audience is nonfiction researchers, writers and editors. Recipients get a set of URLs, each one preceded by a context-setter. The purpose of the URLs is to help you enhance literary effectiveness, exposure, and income. This newsletter is e-mailed five times a year; to subscribe is free; and e-mail addresses are not swapped, shared or sold. Since most of the people on the founding listserv are self-employed, the newsletter covers marketing and self-management in addition to classic "writer" topics. To stop receiving EXACTING RESULTS, just send that instruction to ExactingResults-unsubscribe@yahoogroups.com. Subscribers are encouraged to forward EXACTING RESULTS to friends, colleagues and students. If those individuals prefer to receive it directly, please direct them to http://groups.yahoo.com/group/ExactingResults.


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